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Others do still have that delicate sense to them, that the glue is still setting at the joints Old Skin, Victim and Living Proof a bit too fragile to hold complete attention across those looking on, though Harmonia’s Dream and Rings Around My Father’s Eyes are the consistent notes, as compelling in both settings and standout moments in the set. to Leeds’ First Direct Arena last Saturday night (April 16th).Ī study of recording contradiction, the analyses which followed – a collection of songs more relaxed, with space to breathe, with the flair for jamming which had defined its immediate predecessors this time left as untapped ideas in the studio – belying the unending search for perfection from its obsessive creator, one happy to have the paint still wet on the canvas as the picture is being packed up for shipping.īut songs have always transformed under this band once let off the leash on the road, and already I Don’t Wanna Wait has been given freedom to yawn, stretch its arms wide and unlock from any restraint on record to comfortably fill venues of this size and feel here like an immediate career highlight. It was, of course, after another neat three year interval that Lost In The Dream heralded the arrival of The War On Drugs as the band we know today – a very modern one built in the 21st century on a hazy, romantic vision of what rock music in the eighties was.īrian Eno, Tom Petty, Peter Gabriel, Dire Straits, Springsteen…the names of the day were all once again checked at some point upon the release last year of I Don’t Live Here Anymore, the album which brought Granduciel and co. Now six albums in, from the countrified, Americana beginnings of Wagonwheel Blues, Adam Granduciel took the baton from Kurt Vile and was firmly making his presence felt by 2011’s Slave Ambient.
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The War On Drugs have an inherent charm based on much the same principles, if not ones necessarily arrived at in the same direction on the space-time continuum.
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There’s a wonderful charm to 80’s sci-fi movies.ĭespite a usually dystopian view of the future, it was an era when the technological march had begun to move fast Donkey Kong, Motorola DynaTACs and real life star wars making cyborg assassins, bio-engineered replicants and, lest we forget, hologram sharks seem an inevitable part of everyday life by now.īut it was a future which had to be imagined from an 8-bit reality which nevertheless was then at the cutting edge, so that – aside from the benign robotic voices (‘Alexa, take over the world for me’) – the perceived advancements in understanding and capability were not necessarily matched by a vision of sleek design or ease of transportation. The War On Drugs by Shawn Brackbill A compelling night from The War On Drugs in Leeds.